the Salvator Mundi be publicly exhibited by December 31
the Salvator Mundi be publicly exhibited by December 31
Avg price 11.0¢
No leads at 89%. $3K traded in total. Liquidity $185. Scheduled to close 12/31/2026 (ET).
This market will resolve to "Yes" if Leonardo da Vinci's "Salvator Mundi" is displayed in a publicly accessible exhibition or permanent gallery installation at any museum, gallery, or cultural institution by December 31, 2026, 11:59PM ET. Otherwise, this market will resolve to "No". For the purposes of this market, "publicly accessible" is defined as a location to which members of the general public can purchase tickets or otherwise gain admission to view the listed artwork. Private viewings, VIP previews, displays at auction house pre-sale exhibitions, displays at art fairs, displays of photographs or reproductions of the work, or displays of digital or NFT versions of the work will NOT be sufficient to qualify for a "Yes" resolution. This market will resolve according to official press releases from exhibiting institutions, or credible reporting from The Art Newspaper, Artnet News, or The New York Times.
No leads at 89%. $3K traded in total. Liquidity $185. Scheduled to close 12/31/2026 (ET).
This market will resolve to "Yes" if Leonardo da Vinci's "Salvator Mundi" is displayed in a publicly accessible exhibition or permanent gallery installation at any museum, gallery, or cultural institution by December 31, 2026, 11:59PM ET. Otherwise, this market will resolve to "No". For the purposes of this market, "publicly accessible" is defined as a location to which members of the general public can purchase tickets or otherwise gain admission to view the listed artwork. Private viewings, VIP previews, displays at auction house pre-sale exhibitions, displays at art fairs, displays of photographs or reproductions of the work, or displays of digital or NFT versions of the work will NOT be sufficient to qualify for a "Yes" resolution. This market will resolve according to official press releases from exhibiting institutions, or credible reporting from The Art Newspaper, Artnet News, or The New York Times.